Use the Notes and Bibliography system, you should include a footnote each time you use a source, whether through a direct quote, paraphrase, or summary. Footnotes should be added at the end of the page on which the source is referenced. A bibliography is required at the end of the paper with sources listed alphabetically.
Footnotes and Bibliography
• When using the Notes-Bibliography system, you need to use either footnotes (numbered citations that appear at the bottom of each page) Each note corresponds to a raised (superscript) number in the text.¹ (Google Docs - CTRL+. )
• When you cite a source in a note for the second time, you do not need to put in all the information again: you can use a shortened form (Use Author name only if title is longer than 4 words). CMOS 17th edition recommends using shortened citations – NOT the abbreviation Ibid.
In-text citation: "...his theory of assemblages offers “a sense of the irreducible social complexity characterizing the contemporary world.”49
Footnote at bottom of page (first use of source): 49. Manuel DeLanda, A New Philosophy of Society: Assemblage Theory and Social Complexity (London: Continuum, 2006), 6.
Susbsequent footnote: 50. DeLanda, 9. (Susbsequent use of the same author should use author's last name NOT Ibid.)
Shortened Form:
Bibliography
Book: Last name, First name. Title of Book. Place of publication: Publisher, Year of publication.
DeLanda, Manuel. A New Philosophy of Society: Assemblage Theory and Social Complexity. London: Continuum, 2006.
Footnote (N):
1. First name Last name, Title of Book (Place of publication: Publisher, Year of publication), page number.
Corresponding bibliographical entry (B):
Last name, First name. Title of Book. Place of publication: Publisher, Year of publication.
Book by one author
N:
Chicago Manual of Style Annotated Bibliography
What to include:
How to Format:
Annotated Bibliography
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller-Roazen. Stanford: Stanford University Press, 1998.
Agamben explores the concept of sovereign power through the figure of "homo sacer"—a person who can be killed but not sacrificed—drawing connections between ancient Roman law and modern political structures. The work is foundational in political philosophy and biopolitics, offering a theoretical framework for understanding state violence, legal exclusion, and bare life. It is essential for studies in political theory, critical legal studies, and contemporary philosophy.
Dean, Jodi. Democracy and Other Neoliberal Fantasies: Communicative Capitalism and Left Politics. Durham: Duke University Press, 2009.
Dean critiques liberal democratic discourse and the internet's role in what she terms "communicative capitalism," where political expression is commodified rather than transformative. She challenges leftist reliance on discourse over action, urging a renewed commitment to organized political struggle. This book is useful for those examining contemporary media, democratic theory, and critiques of neoliberalism.
DeLanda, Manuel. A New Philosophy of Society: Assemblage Theory and Social Complexity. London: Continuum, 2006.
DeLanda introduces assemblage theory—based on Deleuze and Guattari’s philosophy—as a way to conceptualize social entities as dynamic, non-reducible wholes. He applies this model to various social structures, including cities, organizations, and economies. The book is relevant to sociologists, philosophers, and theorists interested in poststructuralist approaches to social complexity and systems thinking.
Ede, Lisa, and Andrea A. Lunsford. “Collaboration and Concepts of Authorship.” PMLA 116, no. 2 (March 2001):
354–69. http://www.jstor.org/stable/463522.
Ede and Lunsford challenge the traditional notion of solitary authorship, proposing instead a collaborative model that reflects how writing often occurs in practice. They analyze historical and institutional biases against collaboration and argue for more inclusive understandings of authorship. This article is valuable for scholars in rhetoric, composition studies, and literary theory, especially those exploring authorship, intellectual property, or writing pedagogy.